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2003   Monica Bohm-Duchen, “The Uses & Abuses of Photography in Holocaust-Related Art” in Image & Remembrance:Representation & the Holocaust. Hornstein & Jacobowitz, Eds. Indiana Univ. Press, p.226.

2003   Stephen Feinstein, “Memory and Re-Memory: American Installation Art & Holocaust Imagery in: Reclaiming Memory: Amer. Representations of the Holocaust, Pirjo Ahokas et al. Ed. Univ. of Turku, Turku Finland. P.95-97.

2005  Femspec, Vision & Visibility, Gloria Orenstein

1/26/2000   The Boston Globe, ‘WITNESS’ GIVES VARIED VISIONS OF HOLOCAUST, C. Temin

1/28/2000   The Boston Phoenix, ART, JEWS, AND THE HOLOCAUST, Christopher Millis

1999   Stephen Feinstein, Art After Auschwitz, p. 159, from Harry J. Cargas, editor, PROBLEMS UNIQUE TO THE HOLOCAUST, 1999 U. Press of Kentucky, Lexington, Ky.

1998   Bulletin Trimestriel de la Fondation Auschwitz. No. 60, July-Sept. 1998. Editions du Centre D’etudes et de Documentation, Bruxelles. THE MEMORY OF AUSCHWITZ IN CONTEMPORARY ART, Gabrielle Rossmer, pp. 189-196.

4/19/98   Hampshire Sunday Republican, HISTORY THROUGH AN ARTIST’S EYE by Gloria Russell

1/25/98  Albany Times-Union, REMEMBERING, NOT RECREATING THE LOST by Tim Cahill

1997   Matthew Baigell, Jewish American Artists & the Holocaust. Rutgers Univ. Press, New Brunswick 1997 pp.98-99, fig.36.

9/19/96   The Boston Globe, “ANXIOUS INFERENCES”, reviewed by Cate McQuaid

Feb. 1993   Art News, BOSTON: GABRIELLE ROSSMER by Nancy Stapen.

11/27/92   The Boston Globe, SPOTLIGHT SHINES ON HAUNTING IMAGES, ETERNAL BONDS Nancy Stapen.

11/29/91   Weekend Avisen, Copenhagen, Denmark. EFTER KRYSTALNATTEN by Jonathan Schwartz (review)

1991   Bayernkurier, Munich, Germany KUNST AUS USA by Klaus Martin Wiese.

Feb.1, 1991   The Jewish Advocate, SCULPTOR PROBES…PAST.

9/17/87   The Boston Globe, Ft. Point Arts Community …FINE SHOW AT FED RESERVE Christine Temin